Repressive Patriarchs of Jane Eyre

The work ferocity in the sassy atomic number 18 any repressing patriarchs. For them, potent victory must be absolute. In the light of this com workforcet, discuss Brontes origination of masculine reference works in Jane Eyre. Through bug out the new of Jane Eyre, there seems to be a parking lot common sense of patriarchal handedness, as possess by the manful fictional characters. Bronte showings young-begetting(prenominal) supremacy done four key characters that Jane encounters throughout her life. Each character differs broadly, though this sense of a higher(prenominal)(prenominal) and more world-beaterful individual, perpetuallyyplace Jane, remains prevalent in each they are all inhibitory patriarchs in whatever charge, though of varying magnitudes.The Victorian familiarity was a wholly different society to the peerless we embody in now and it was wellhead-known to be manlike-dominated and single in which women had al near no honests at all. The item that Bronte wrote Jane Eyre during this period in time is clearly reflected in the male characters in the refreshed. It is evident that Bronte herself may be possessed of experienced or been put in some of the situations that she portrays Jane to be in by some autoc double-crosseric male character in her own life.N evermoretheless, it is seen that these characters do agitate as the romance progresses as Bronte seems to furnish them a chance to withdraw themselves as a repressive force, and show a little more consideration and pathos towards others and women in particular. tush reed instrument is the beginning(a) of Brontes repressive patriarchs in the novel. He is placed at the beginning of the novel and is introduced to us almost immediately. He is in fact the very initiatory dictatorial force to Jane in her life and in this right smart is very signifi washbasint.At first, seat does non seem to be a huge threat to Jane, merely branding her a bad animal and a rat. This juvenile name-calling behaviour, as submited by washstand, is still oppressive in that he intentions these names to assert a higher power oer Jane, subsequent to pronouncing all the books in the house as his property. He reminds Jane that she is in a highly wonky station in society and that she has no class cod to the fact that she is invigoration with them. She is classified as less than a servant according to him because she does nonhing for her go along. magic taunts Jane proclaiming that she ought to beg to counterbalance live. He infinitely reminds Jane that she is a pendant somewhat indicating that she is dependent on him due to the fact that he is the fairish male in the house champion, and accordingly the master by birth. Furthermore, John demands deference of Jane, tied(p) though he is all notwithstanding four years elder than her. He exercises what he receives is his power as a male all over her somaticly, as can be seen when he hits Jane with a book as the volume was flung.This physical abuse is indicative of Bronte expressing that John reed desires that male supremacy must be absolute. The regularity of his bullying as a demand for obedience of Jane, not erstwhile or twice in a sidereal day, just continually is too sign of a repressive patriarch who would feel more undertake in day-and-night rather than periodic abuse. John reed instruments appearance may even be said to be one of a typical oppressive male character. Being large and stout with rotund limbs and large extremities indicate that he is kind of a large boy for his succession and automatically an intimidating individual.His actions towards Jane are excessively somewhat animalistic such as thrusting out his tongue at her as far as he could without damaging the roots, suggesting his belief in a prudishal sense of important male dominance over a shrewdness of apes. He is quite wondrous as well and he does not just exert his power over J ane, merely he twisted the necks of the pigeons, and killed the little pea-chicks. It is clear that Bronte is super disgusted with his fashion of indulging in animal cruelness as a means to show his masculinity.John is also disagreeable towards his mother and acts without observe towards her, emphasising his belief that he is of a higher status than all women, not just Jane. He called his mother old misfire too sometimes reviled her for her dark skin, match to his own bluntly disregarded her wishes, and not infrequently tore and spoiled her silk attire. These aspects of John Reed, with no doubt, express Brontes wholesome feelings about the fact that all men thought that they were superior to a woman. Her blame and abhorrence of male supremacy is clear. Mr Brocklehurst is the s concur tormenting force that Jane is exposed to in her life.He differs to John Reed in the fact that whilst John Reed is a form of physical oppression towards Jane, Brocklehurst is a form of unea rthly oppression. Nevertheless, both of the cardinal characters are homogeneous in appearance as can be seen by Brontes exposition of them, reinforcing this idea that male characters of oppression require a certain appearance to express their power. When Jane first supports Brocklehurst, the first description she ever switchs him is one with negative connotations a mysterious pillar that was standing erect on the rug the grim face at the top was like a mould mask, placed above the shaft by way of ca defendal. Immediately we are condition the sense that he is an imposing and stiff character who is just plain dashing, peculiarly to a young Jane. Brocklehurst seems to be a gothic villain in a sense and as a rocklike stranger, the sibilance emphasises the fact that he is extremely unapproachable, hard and unfor grownup. Bronte also founds Brocklehurst a bass voice which emphasises his masculinity, as well as large features that are harsh and prim to highlight his unyieldin g disposition.We short wanton away out that Brocklehurst is in fact a sacred role campaigner who uses religion as a vehicle for his repressive force that he exerts on the pupils at his school. However, we are not on first door immediately shown his finesse by Bronte until a little later in the novel when Jane is at his school. Upon Jane and Brocklehursts first meeting, he pointedly asks Jane if she should like to fall into that pit copious of fire and be go offing there for ever. In an oppressive manner, Brocklehurst uses these implications of perdition as such to scare and terrify Jane into obedience.If we contain into Brocklehursts language, his hypocrisy is revealed to us. He states to Jane that she would burn in hell for ever. The fact that he narrates for ever is key in that he particularly twists the Christian ideas. When he call downs hell to Jane he ignores a key Christian idea that you may be salvage from hell in an effort to frighten her into submission. B rocklehurst does not know for a fact that Jane volition go to hell, but he is threatening her with the idea of hell, as he does with all the girls at Lowood School. Bronte writes the first talk between Brocklehurst in a way that puts our sympathies, as a reader, with Jane. You must require to God to limiting it to break you a new and clean one to take away your heart of stone and give you a heart of flesh was the advice given up to Jane by Brocklehurst this is ironic in that Brocklehurst is depict by Bronte as being granitic himself, emphasising Brontes effort to sway the listenings opinions to side with Jane. At Lowood, Brocklehurst intemperately preaches the idea that God indirect requests women to pass themselves to domesticity in revisal to please Him. He states that unimportance is a Christian grace and one peculiarly appropriate to the pupils of Lowood and that he brings the girls up in a way so as to cultivate this.Brocklehurst reveals his own hypocrisy and effe ctively shoots himself in the foot and shows that he clearly does not practice what he preaches with his own children when he tells the story of his girlfriend Augusta and her trip to Lowood. Augusta comments on how quiet and plain all the girls at Lowood look, almost like hapless communitys children, in compare to herself in a silk gown. Augusta and her sisters also in truth arrive at Lowood, as seen by Jane, in velvet shawls, ostrich plume and such.In this way, Bronte shows her belief that Brocklehurst is all that is faulty with the males of Victorian society as well as many of the rich people who also state that consistency, is the first of Christian duties, without fully committing and believing in what they say themselves. Brocklehurst is in fact an extremely contradictory person in his day to day life. Mr Brocklehurst is a representation of what Bronte accepts is wrong with society and its males with regards to sacred oppression, as John Reed is a representation of he r beliefs with regard to males in society with regards to physical oppression.In a exacting line to Mr Brocklehurst is St John Rivers, who is in fact a non-stereotypical patriarch. He is a contrast to Brocklehurst because he firmly does not en self-assurance that women like Jane should dedicate and devote themselves to domesticity but instead to God. Brocklehurst is also a shammer in this way as he should be preaching the idea of fear to God but instead teaches his pupils to devote themselves to domesticity. However, there are also some ways in which St John is analogous to Brocklehurst, and there is a key tie-in between them in their ideologies.St John has extremely congruent ideologies however he is not a hypocrite, unlike Brocklehurst. It is important to mention that St John is an aesthetic model, an extremely tortuous one at that. He is constantly living for his ideals and with his perfectionist nature, these ideals are almost unattainable. He is profoundly religious an d self-sacrificing when it get ins to fulfilling his religious duties, and in this way, he tries forcefully to communicate Jane to comply with his approach to life and to go to India with him.To get her to come with him and marry him, he uses language such as a part of me you must become, assert his authority and power as a male over her. He seems to be sacrificing of both Janes happiness and health for others, but he applies this to himself as well. St John attempts to dictate Janes life in that he manifestly wants her to reject his labor offer as a school mistress for village children. He wants her to hold this job for a while but not permanently as he deals that she cannot be content to pass her vacuous in solitude, and to devote her working hours to a monotonous labour in a place where her skills are made useless.He acknowledges that Jane is designate by God to do great things, and though he may be wrong, he seems to be hinting to her this fact and that she is snuff i t for a missionarys wife, in what could be seen as a passive voice oppressive act. St John is also full-bodiedly unhappy with the fact that all Jane seems to want is a happy family life and would use all her money that she inherited to secure it. At Christmas, she is set on revelling in domesticity and St John is very much bothered and despairing of this and tries to convince her to become more like him, albeit in a repressive manner. I excuse you for the present two months grace I allow you for the full enjoyment of your new position in this authoritative language St John displays that he does not want Jane to remain the position that she is in and to begin to look beyond Moor House and Morton and the selfish tranquil and sensual comfort of civilised affluence. He wants Jane to sacrifice herself to God and I think that in this way St John is more dangerous than Brocklehurst because he can is oppressive with reason, and he is not a hypocrite and willing to do all he preaches.I take aim decided to move over preaching of Mr Rochester to the end as I believe that he is by far the most complicated of the male characters throughout the novel, due to the fact that he undergoes a change in which he becomes less of a repressive patriarch and therefore a more suitable husband for Jane. The character at the beginning of the novel is vastly different to the Rochester that we see at the end, in more ways than one. However, the change in his oppressive nature towards Jane is especially significant. Jane did meet Rochester by chance, but even though he did not know who she was, he was still oppressive and authoritative towards her.He commands her to maneuver him his horse and when she is unable, he states that necessity compels him to make her useful, laying a dark hand on her shoulder which is a significant action that demonstrates his sense of authority. This lieu becomes less apparent as he gets to know her though further into their relationship, this domin ant side of him reappears as he seemingly tries to force her to bond with him, though deep down he knows he cannot remain her. Jane feels that she is equal to Rochester as he is the first male not to out justifiedly exercise and force his patriarchal dominance over her.Jane is comfortable to speak out and give her opinion directly, though this is only after he asks. She pointedly states that she does not think that he has a right to command her merely because he is older that her and in this way she has stated that the fact that he is male also does not play a part, though she does not actually say this. However, as their relationship progresses, this equating is warped and some of it is lost as Rochester seemingly becomes more frightening to shake off Jane for himself. This gradual increase in commands direct at Jane can be seen when Jane asks to leave him to see Mrs Reed.He commands her to promise him one thing, that being not to report and to trust this quest of a situatio n to me. Ill find you one in time. His discouragement for her to come back as soon as possible is evident in the fact that he orders her not to advertise so that she will definitely come back to him. When Jane tries to leave Rochester for good, upon finding out that he does indeed have a wife, in the form of Bertha Mason, Rochester threatens violence in order to get her to stay. He is desperate to get through to her and to convince her to stay and it is evoke that he seems to want to vivify to this.The fact that he threatens this shows us that he is at an end and this is what a male character would do in order to get someone to comply with their wishes. Rochester is interesting in that he does try to give Jane a lot of freedom as a woman to do as she wishes, and is comfortable being an equal with her, but when it comes down to it, he always in conclusion resorts to his dominance as a male. Jane, however, does eventually return to Rochester at the end of the novel. She makes he r way back to Thornfield only to find it burn down to the ground and she seeks out Rochester whom she finds disabled hobby the great fire started by Bertha.This leaving of an arm and his sight his key to make Rochester a suitable husband for Jane. The disablement means that Rochester is now physically an equal to Jane, and does not have to suppress his opinions and will never have the opportunity to be dominant over her any more. before he was disabled, Rochester never exercised his power over Jane, out of choice, this disability means that even if he wanted and chose to utilise his male dominance over her, he cannot. The fact that Bronte decides to take away from Rochester so that he becomes less oppressive is interesting.She seems to be giving Jane a chance to have power in the Victorian society that she lives in, perhaps reflecting a wish for herself as a woman. Not all the male characters of Jane Eyre are always patriarchal and some, like Rochester, recognize not to exer cise their power over the woman. It is important to note that all the characters do it in different ways physical, religious and only in desperation. However, the distressing existence that Bronte is trying to express is that the majority of the men in society do believe in absolute male supremacy.Nevertheless, she does give the example of Mrs Reed as a female oppressor who demands submission of Jane as a child, and took revenge when not obeyed. I believe that Bronte wanted the male characters to be a strong repressive force so as to reflect her feelings of society and the instability between the males and females. It is possible that Bronte was trying to send off a message to society through this novel in an effort to displease a change in society, which would have been met with dispute from male readers and agreement from a female audience.